My first novel

The Victims of Sargon Mansion is a layered tale. In a world echoing the elegance of mid-twentieth-century Europe, Sargon Mansion conceals more than its splendour — it hides secrets, betrayals, and blood. Unfolding in four parts, each told through a different voice, the novel provides a kaleidoscopic view of a crime and the haunted souls behind it. Beneath gestures of kindness and façades of discipline, nothing is ever as it seems. Four voices unravel the tale: a fugitive woman, a young aristocrat, a homicide commissioner with a shadowed past, and a disgraced detective emerging from the depths of obscurity.